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June 08, 2005

Drinking in Manhattan

manhattancocktail.jpgFor many of us it started our freshman year of college. We would cruise Bleecker Street between Broadway and Sixth Avenue, or Broadway between 116th and 106th Streets, not knowing any better, just looking for a place that would serve us. We learned to start early, before ten o'clock, before the bouncers manned the doors with their age-identifying flashlights. Once we were in and had a drink in hand, the bouncers just meant that we couldn't leave. Not that we wanted to. We stayed all night, drinking pitchers of the cheapest beer, shots of well tequila, and drinks whose names had words like "sour", "sex", and "screw" in them: drinks obviously designed for children trying to sound grown up. Drinks for people who don't really like drinking.

The bars had different names, different decor, different addresses, but they were all essentially the same. The kids came either from Manhattan colleges or suburban highschools. The boys were frat-boy casual: denim and plaid wrapped around an old ratty t-shirt; 50 percent chance of a baseball cap. The girls aimed for sexy-not-slutty, usually missing the target to one side or another. They wore jeans that were tight in awkward places, tops that were either low-cut or short-hemmed. Each girl had an accessory to conceal whatever bodily insecurity she had recently discovered. Behind the bar there were twelve types of vodka but only two types of wine. The music and the crowds were loud enough that we couldn't really understand what anybody was saying, but there wasn't much need for verbal communication when an evening could only follow one of two patterns: (a) get drunk, then get laid; or (b) get drunk, then get sick.

The crushing repetitiveness of this routine (coupled with the overwhelming prevalence of pattern (b) over pattern (a)) got tired quickly, and eventually we discovered a neighborhood spot, where they never carded us and they always had our favorite beer on tap, a spot that the bridge-and-tunnel kids and those obnoxious freshmen hadn't found yet. The jukebox was never too loud, and it had all our favorite songs on it, although whether they were our favorites before we heard them on this jukebox is something we can't remember. The regular bartender learned our names and slipped us a free drink from time to time. Drinking became less of a quest and more of a way to spend a quiet evening with friends and lovers, slowly nursing a beer and trying to develop a taste for whiskey, gradually slipping free of whatever obligations we thought were so oppressive at the time and sinking into a warm, fuzzy forgetfulness.

By the time we enter the high-flying world of young Manhattan professionals, drinking has become a career skill. The bars are different from those of our college days only in the most superficial respects. The sticky wooden bar has been replaced with sleek back-lit glass; the rickety barstools with velvet upholstery, the din of college alt-rock with the din of last summer's hip-hop. We still can't hear what anybody is saying, but we've perfected the art of looking interested in conversations we neither understand nor care about. The men are business casual, all of them sporting identical flat-front pants and spread-collar shirts in a rainbow of pastels. There is not a baseball cap in sight; the over-under is on sport jackets. The women aim for sophisticated-but-sexy, still missing to one side or another. They now have entire wardrobes designed around the insecurities they nurtured in college. Their accessories are carefully calibrated to telegraph both the wealth they expect from the future and the youth that is fading into the past. En masse, we scour Manhattan for the latest twelve-dollar cocktail. Martinis, cosmos, mojitos, saketinis, sidecars; as soon as you develop a taste for one, it's time to move on. Those of us who worked so hard to learn to tolerate whiskey can now tolerate only the finest single-barrel bourbons and 18-year-old malts. Those of us who drank Bud Lite by the pitcher now sneer at anything less than a dozen microbrews on tap. It's the same game, it's just gotten more expensive to play.

Most of us don't make it back to the neighborhood bar much anymore. We see less of friends and lovers, and our once-fuzzy forgetfulness has taken on a razor's edge. If we went back to our neighborhood joint today, would the regular bartender would still recognize us? And would we still have a taste for the house pour?

January 29, 2005

It Was A Very Good Year

1977port.jpgI was born on January 29, 1977. A few weeks later, some vines in northern Portugal began to awaken from their winter slumber. A few months after that, bunches of grapes were maturing on those vines, swelling with seaborne rains and basking in the summer sun. By the time I took my first step, the grapes had been pressed into juice whose sugars were beginning their metamorphosis into alcohol. When I was old enough to talk, the young wine was transferred to vats and fortified with a local brandy known as aguardente. Not long thereafter a little under a liter of the resulting elixir was placed into a dark glass bottle, labeled, and laid sideways on a shelf. At some point over the past twenty-odd years, this bottle made its way from the town of Oporto to the New World, finally coming to rest at a wine shop on the Upper West Side of Manhattan, where it stayed until the night before my twenty-eighth birthday.

That's where my two little brothers found it, purchased it, and brought it to me as a birthday present last night. We drank half of it waiting for the clock to strike on the first day of my twenty-eighth year, after a dinner prepared for us by my youngest brother, who just started culinary school. Vintage port is only made in years where the grapes show special promise, and the 1977 vintage was one of the most magnificent in the past century.

portcolor.jpgHow do you do justice to a wine that has been waiting your whole life for you to drink it? I have never seen anything the color of this port anywhere else in the world. I have never smelled anything so delicate or subtle. I have been drinking port for years, but I never tasted anything like this before. The sweetness of Douro grape sugars, mellowed by wood and sharpened with the fire of brandy, has been maturing for decades in this magical bottle, waiting for us to open it up and admire its sublime balance. This port was noticeably more alcoholic than most other port I have tasted; it is about 22% alcohol compared to about 19% for the blend I usually keep around the house. The extra bite of spirit is tamed by decanting and allowing the port to breathe for a while.

Aside from giving sediment time to settle, patience allows the wine to realize its full potential; just a sip of my birthday port lingered for several minutes, continuing to soothe and satisfy as it unfolded on the palate. As I turned a year older, surrounded by family, the smooth comfort of the port that grew up with me served as a reminder that the relentless flow of time carries with it special pleasures. We cannot always anticipate where they will come from or when they will cross our path, but they are surely ours for the taking, if only we will take as much time enjoying them as they take in readying themselves for us.

November 18, 2004

New Wine, New Year

This year's Beaujolais Nouveau was released today. It is not as thrilling as last year's, but still charming and a perfect match for Thanksgiving fare.

I haven't been seen much on Frost Street lately. From a summer spent locked in my office to an autumn working with the fine folks at Gothamist, this blog has been a lonely place. But in my absence, Frost Street had its first birthday. With a young wine to cheer a young blog into its second year, I'm hoping to be around more often. Work has eased somewhat, and I've parted ways with the Gothamist crew. I have an ambitious plan to get Frost Street moving again this weekend, so until then, go out and get yourself a bottle of beaujolais and check back in a couple of days.

July 23, 2004

I Have a Problem

From the time I left my parents' house for college to the time I started my first job out of law school, I moved on average twice a year: sixteen times in the space of seven years. I swore I would never do it again. Now I remember why.

I got home from work just before midnight tonight, after a sixteen-hour day. And I realized that, although a half-full handle of Chivas is in one of the twenty or so boxes scattered around my apartment, I have no idea how to find it.

I did happen across some of my liquor stash, and was able to substitute some bourbon, but it just isn't the same. There's a line about scotch - which is probably applicable to acquired tastes in general - in Kicking and Screaming: "Affectations become habits". When I was in college it felt grown-up to wash off a long day with three fingers of highland malt, even though the taste was near unbearable to me then. Now I come home exhausted, and somewhere in the back of my brain I can smell the peat, smoke, and caramel of whiskey, even though I have no hope of tasting it tonight. It occurs to me that I need a drink. Over years of long hauls and late nights, the flavors that once made me wince have become dear to me by the sheer force of repetition. I don't know whether this is addiction or something entirely less romantic. But sitting here among anonymous boxes in a still alien apartment, I really wish I had a glass of scotch to sip on. It would make me feel more at home.

boxscotch.jpg

May 25, 2004

Two Steps Away From The County Line

Bourrez Votre Visage beat me to the punch on a story I really should have been on top of. Yesterday the Supreme Court granted certiorari (i.e., it agreed to hear arguments) in a set of cases that could completely reshape wine consumption in this country. The question is whether your state government can forbid wineries in other states from selling their products directly to you, the consumer. Interestingly enough, the state line between you and your vintner means that the answer to this question can only be reached by reconciling two apparently contradictory provisions of the Constitution of the United States.

When the Constitution was first written, the dead white men we refer to reverently as the "Framers" wanted to make sure that parochial interests and petty protectionism couldn't throw wrenches into the free flow of commerce among the still largely independent states. Accordingly, they wrote into the nation's primal law a rule that the federal government would have the authority to regulate interstate commerce (it's called the "Commerce Clause"). Over the years, courts have read into this rule a converse proposition: that the individual state governments are forbidden from creating rules that interfere with interstate commerce (this is what's known as the "Dormant Commerce Clause").

Of course, when the 21st Amendment repealed Prohibition, it indirectly provided the states power to pass laws concerning "[t]he transportation or importation into any state, territory, or possession of the United States for delivery or use therein of intoxicating liquors". Ostensibly this allows the states to exercise their historic "police power": to enact laws to preserve the public safety and morals, which are apparently threatened by intemperate and unrestricted consumption of alcoholic spirits. (Incidentally, this is the same power that has more recently been enmeshed in the gay marriage debate, which is why Republican crusaders have to resort to a constitutional amendment to stop states from allowing same-sex couples to get hitched). Many years ago, state regulation was also an important bulwark against monopolism, price-fixing, and collusion among booze-peddlers in the pre-New Deal days of a weak federal government.

Today, though, the primary purpose of state regulation appears to be protection of local middlemen, rather than of the consumers who really suffer from anticompetitive business practices. Even the Federal Trade Commission thinks state barriers to direct-to-consumer wine importation are a bad idea. Which is why the wholesale alcohol distributors are the only ones fighting to keep winemakers from selling their wares over the Internet directly to thirsty gourmands like you and me.

Here's hoping they lose big, so we can all start getting shipments of family-produced wines delivered to our door without the double-markup of a wholesaler and a retailer tacked on to our bill. Cheers.

May 05, 2004

¿Donde Esta Mi Tequila?

For the next few minutes, it's still Cinco de Mayo on Frost Street (link via Gothamist). Today is the only day of the year I drink tequila. I believe I drank to within a few ounces of my lifetime quota during my freshman year of college; for years I couldn't even smell the stuff without gagging. Like this lively Mexican spirit, though, I mellow with a little aging.

Everything you could ever want to know about tequila has been ably documented by Ian Chadwick. The most important points:

  • To really appreciate tequila, you have to appreciate real tequila. You should avoid the Montezuma Gold variety of spirit that we used to vomit up by the quart in college. Buy tequila that is labeled "100% de Agave": this tells you it is made from the distilled spirits of the blue agave plant, with no other distillates. Anything not labeled "100% de Agave" is "Mixto", containing as little as 51% agave spirit (with the remainder made up by corn or cane spirits). You might as well buy a 100% agave tequila and mix it 50-50 with bourbon or rum.
  • Gold does not mean "one better than silver". "Gold" tequila is usually just artificially colored with caramel to simulate the patina of wood-aging. Sometimes caramel or oak essence is also used to flavor young tequilas. If your tequila is labeled "Gold" but does not have one of the age-identifying labels listed below, you're paying extra for food coloring.
  • 100% de Agave tequila is further classified by its age. Young distilled agave that has never touched wood is "Blanco" (white); it may be aged in stainless steel for up to 60 days. After two to twelve months aging in oak barrels, it becomes "Reposado". Past the twelve month mark, it becomes "Añejo". The benefits of aging tequila significantly longer than a year are disputed, and there are no official appellations for longer aging periods. Each level of aging has its own balance of aromas and flavors; they each have their merits and their shortcomings, but each is worth trying.

So, next year when Cinco de Mayo rolls around, you'll know everything you need to know to celebrate in style. ¡Viva!

May 01, 2004

Run for the Roses

Is it already the day of the Kentucky Derby? Fantastic! The perfect excuse for the most refreshing drink you can make with brown liquor: the Mint Julep. The best way to make mint julep is to brew the mint and bourbon together on the day of the Kentucky Derby one year before you intend to drink it. If you don't have that kind of foresight, pray for a cloudless day, and brew it like sun tea, then chill it in the fridge. In law school we brewed a couple handles of Jim Beam with fistfuls of mint on the tarpaper roof of our crappy apartment house, and drank it all weekend. If you have a tarpaper roof and a sun overhead, there are worse things you could do with your weekend.

Recipe: Mint Julep

Ingredients:

  • 1 750 mL bottle Kentucky Bourbon
  • 3/4 cup washed, packed fresh mint leaves
  • 1 cup sugar
  • 1 cup water
  • Ice

Pour out about 3/4 cup of the bourbon. Drink it or cook with it immediately. (It helps to have friends around when you're making this.)

Stuff the mint leaves into the bottle and re-seal it. Store it in a cool place for a year, or put it out in the sun for at least an hour. Put it in the fridge to chill.

Meanwhile, dissolve the sugar in the water in a pot over medium heat to make a simple syrup. When fully dissolved, remove to a storage container and put in the fridge.

At ten minutes to post time, pour 1 part simple syrup and two parts of the mint-bourbon brew over ice. Garnish with fresh mint leaves. Drink with caution: it goes down easy but it's hella strong.

March 17, 2004

Whiskey in the Jar

Saint Patrick's Day is upon us. Finally, a day when the pretentious New York bar scene makes room for the city's grungy but lovable Irish pubs. If the snow lets up (and work cooperates), you'll find me tonight at the Dublin House, where real Irishmen tend bar for real Irish drinkers (and a gaggle of college students like my buddies and I used to be) 365 days a year. Otherwise, I'll settle in at home with a pint and an iTunes playlist composed of the Irish Rovers, the Fureys, and the Pogues.

If you decide to stay in, here's a recipe to wet your whistle. Out of respect for the victims of the strife in Northern Ireland, it will go unnamed here, but you've probably heard of it anyway.

Anonymous Saint Patrick's Day Drink
Ingredients:

  • 3/4 pint Guinness (from the tap or a can -- bottled Guinness is crap)
  • 1/2 oz. Bailey's Irish Cream
  • 1/2 oz. Irish whiskey (e.g., Jameson's)

Pour the Guinness into a sturdy pint glass. Pour the Bailey's and whiskey into a single (clean) shot glass as the Guinness settles. When the beer is ready, drop the shot glass into the pint glass and toss the whole drink back as fast as you can. It's like a beer milkshake, with the honeyed kick of irish whiskey. Repeat at your own peril.

Sláinte!

November 21, 2003

Le Beaujolais Nouveau est arrivé!

That's right, the 2003 vintage of beaujolais nouveau was officially released yesterday. This is a wine event I can really get behind. Of course, it's hyped all out of proportion by Georges DuBoeuf, the Rich Uncle Pennybags of Beaujolais. But it's a mass-marketed wine happening - which appeals to wannabe wine snobs like me - and it's all about an eminently affordable wine - which appeals to cheapskates like me.

Beaujolais nouveau is light, grapey, young wine - it generally goes from the vine to the glass in less than three months. Under French law (obeyed throughout the world on this point), it is made available for sale on the third Thursday of November. This gives the wine barely enough time to be pressed, fermented, and bottled. The end product is one of the most drinkable reds of France.

The 2003 vintage of beuajolais nouveau, presaging the 2003 vintage of French red wines generally, was rumored to be a spectacular one. The hot, dry summer that killed thousands of French citizens had one upside: concentrating the juices of grapes on the vine. This results in a lower yield, but generates wine that is sweeter, more intense, and generally just plain delicious.

Last night I picked up two bottles of Duboeuf's Beaujolais Nouveau, one for myself and one to share with Lisa when she gets here tonight. I uncorked my bottle to enjoy with the last remnants of my wild turkey. Beaujolais Nouveau is a perfect wine to go with your Thanksgiving turkey - light enough for its poultry side, fruity and acidic enough for its gamey side - and it is conveniently available one week before Turkey day. Just make sure you chill it slightly before serving; if too warm, its fruity and floral notes will be overpowered by the acids and astringents that haven't been tamed by age.

I have to agree with the hype; this was the best beaujolais nouveau I can remember. And at $8 to $9 a bottle, you can get a case for the price of a single bottle of a trendy California cabernet. For that value, this year's beaujolais nouveau is one of the easiest wine decisions a fledgling oenophile can make.

October 24, 2003

Cantuccini con Vin Santo

Another recruiting lunch at another neighborhood Italian today. The restaurant shall go nameless here, because I'm only interested in one item on their menu: "cantucci e vin santo." When I went to Florence for the first time a year ago, I ended almost every meal there with the classic Tuscan dessert of cantuccini con vin santo. And I have to quibble with this restaurant's interpretation of one of my favorite after-meal indulgences.

Vin santo - or "holy wine" - is a magnificent dessert wine made in the chianti region of Italy. Like most great dessert wines, it gets its sweetness from a beneficial mold known as the "noble rot," which dries and shrivels wine grapes on the vine, concentrating their sugar content so that the wine they yield is sweet and robust, if limited in quantity (it's said that a single glass of Chateau d'Yquem, the world's most famous Sauternes, requires an entire vine's worth of grapes). The best vin santos I've tried combine the honeyed sweetness of Sauternes with the heady aromas of sweet sherry and the warm, full body of tawny port. In short, it's like having all my favorite sweet spirits in a single glass.

The classic accompaniment for vin santo are the little almond cookies from Prato known as cantuccini. Cantuccini are literally "little cantucci," and cantucci are variations on the classic but often underappreciated Italian cookies, biscotti. The word "biscotti" means twice-cooked, a reference to the two-step baking process that leaves the cookies dry and hard. Cantucci and cantuccini, being loaded with egg yolks, are so hard when dry that you could crack your teeth on them. This makes them a perfect vehicle for the vin santo, with which they enjoy a symbiotic relationship. The cookies are dipped into the vin santo (traditionally served in a small tumbler rather than a stemware glass), which softens them and infuses them with its unique perfume and the warmth of its alcohol. When the cookies are gone, a few crumbs settled at the bottom of the glass lend a gentle almond note to the remaining wine, which can be sipped like any other digestif.

So what's my beef with the "cantucci e vin santo" I had today? I have no quarrel with the vin santo; even mediocre vin santo is still a rare pleasure. No, I'm more concerned with the cookies that were being passed off for cantucci. Half of the cookies were beige, Starbucksesque biscotti, the other half were butter cookies with pine nuts - not biscotti at all, and certainly not cantucci. I've played around with a few recipes I found on the Internet - in English, Italian, and German - and amalgamated them into one that I prefer for making my own cantuccini. Kept in an airtight container, they keep for weeks or even months (there being little to no water in them, there is no medium for harmful organisms to grow in). In a pinch, however, I've been known to pick up a bag of cantuccini from one of my favorite specialty markets; the brand that tastes most authentic to me comes in a white mylar bag with a picture of the cookies on the front and red cursive lettering reading "cantuccini" above the picture.

Recipe: Cantuccini

Ingredients:
500g all-purpose white flour
400g granulated sugar
250g whole, peeled almonds
3 eggs
3 egg yolks
2 tsp baking powder
1 tsp vanilla extract
1 tsp amaretto
1/4 tsp salt
small pinch saffron

Preheat oven to 350 degrees. In a large mixing bowl, combine 2 of the eggs and all of the egg yolks with the vanilla, amaretto, salt, and saffron, and beat thoroughly. Add 350g of the sugar and whisk until fully incorporated. Sift together flour and baking powder, and add in stages to mixing bowl, stirring to incorporate until you have a sticky but firm dough. Stir in the almonds until evenly distributed in the dough. Set aside to rest.

Line a baking sheet with a Silpat or greased parchment paper. Divide the dough into two portions, and form each into a baguette-shaped loaf three to four inches wide on the baking sheet. Bake at 350 degrees for about 20 minutes, or until outside is hard and beginning to brown. Meanwhile, beat the remaining egg with a few drops of water. Remove the loaves from the oven, brush them with the egg wash and sprinkle them with the remaining sugar. Cut them into diagonal slices about 3/4 inch thick, space them out on the baking sheet, and return the sheet to the oven for 10 more minutes or until completely dry and golden brown at the edges. Cool completely on a rack before storing in an airtight container.

Alternative flavorings for the cantuccini include cinnamon, cardamom, nutmeg, and citrus zest, but I find that amarreto and saffron remind me most of the cookies I had in Florence. If you don't have a scale to measure the dry ingredients, you should (a) get a scale for measuring ingredients for baking, since it's the only way to be accurate, or (b) approximate using standard volume-to-weight conversion ratios.